Thursday, November 29, 2007

Rosicrucian in the Basement



...third posting in a sequence on Imagination.

Dad was a “small businessman,” industrious, hardworking, serious about his profession, a mid-western Republican, anything but an alchemist, yet there he was in a suburban Skokie, Illinois, basement with his “liquid-filled crystal flask and yellow glass egg on the altar...” transforming what he felt to be “base” [about himself] into gold. That was his secret. That’s where he went when he wasn’t busy making money.

“There are two worlds,” he says, lighting incense, “the seen
and the unseen, and she doesn’t understand.
This is my treasure,” he says,
lead cooking in an iron pan,
liquid darkness and some gold...”

A teenager I had no idea what it was all about. My sister and stepmother thought he was crazy, but they tolerated his Rosicrucian practice as long as he kept it out of sight—in the basement.

And when I returned from India after spending a month in Ganeshpuri with Swami Muktananda, I felt superior. Callow, the word “callow” comes to mind. What did I know? And then, in the 1990s, I began “hearing” his voice, loud and clear. I began hearing and writing in that voice maybe ten years ago. My little book, Rosicrucian in the Basement, appeared in 2001, published by Marty Gervais' Black Moss Press (Canada).

Imagination. Yeah. Something kicked in. I’m still hearing the voice. The thing takes on a life of its own. The things the kid in the poem sees and comments on. His interactions with his father. This is dad, new and improved in some respects, old and more bizarre than ever in others. But the thing is true. And, dead since 1982, dead and buried, he’s no less a part of my life now than he was. A little more playful these days and, too, helpful in 2003 when I fucking lost my mind.


ROSICRUCIAN IN THE BASEMENT

i.
“What’s to explain?” he asks.
He’s a closet meditator. Rosicrucian in the basement.
In my father’s eyes: dream.
“There are two worlds,” he says,
liquid-filled crystal flask
and yellow glass egg
on the altar.
He’s the “professional man”—
so she calls him, my stepmother.
That, and “the Doctor”:
“The Doctor will see you now,” she says,
working as his receptionist.
He’s a podiatrist—foot surgery a specialty—
on Chicago’s North Side.
Russian-born Orthodox Jew
with zaftig Polish wife, posh silvery white starlet
Hilton Hotel hostess.

ii.
This is his secret.
This is where he goes when he’s not making money.
The way to the other world is into the basement
and he can’t live without this other world.
“If he has to, he has to,” my stepmother shrugs.
Keeps door locked when he’s not down there.
Keeps the door locked when he is.
“Two nuts in the mini-bar,” she mutters, banging pots
in the kitchen upstairs.
Anyway, she needs to protect the family.
“Jew overboard,” she yells, banging dishes.
“Peasant!” he yells back.

iii.
“There are two worlds,” he says lighting incense, “the seen
and the unseen, and she doesn’t understand.
This is my treasure,” he says,
lead cooking in an iron pan,
liquid darkness and some gold.
“Son, there are three souls: one, the Supernal;
two, the concealed
female soul, soul like glue…
holds it all together…”
“And the third?” I ask.
We stand there, “I can’t recall.”
He begins to chant and wave incense.
No tallis, no yarmulke,
just knotty pine walls and mini-bar
size of a ouija board,
a little schnapps and shot glasses
on the lower shelf,
and I’m no help.
Just back from seven thousand dollar trip,
four weeks with Swami Muktananda,
thinking
Now there’s someone who knew how to convert
the soul’s longing into gold.
Father, my father: he has this emerald tablet
with a single word written on it
and an arrow pointing.


2.
JESUS

“What’s with the cross? You believe in Jesus, dad?”
“What?”
“Are you still a Jew?”
He turns away.
“Dammit, it’s not a religion, farshtehst?
Brings fist down on the altar.
“We seek the perfection of metals,” he says,
re-lighting stove,
“salvation by smelting.”

“But what’s the point?” I ask.

“The point? Internal alchemy, shmegegge. Rosa mystica,” he shouts.
Meat into spirit, darkness into light.”

Seated now, seated on bar stools.
Flickering candle in a windowless room.
Visible and invisible. Face of my father
in the other world.
I see him, see him in me
my rosy cross
podiatrist father.
“I’m making no secret of this secret,” he says,
turning to the altar.
“Tell me, tell me how to pray.”
“Burst,” he says, “burst like a star.”


3.
ROSY CROSS FATHER

“Yes, he still believes. Imagine—
American Jews,
when they die,
roll underground for three days
to reach the Holy Land.
He believes that.”

We’re standing at the Rosicrucian mini-bar listening,
(clash of pots in the kitchen upstairs)
father
with thick, dark-rimmed glasses
blue-denim shirt,
bristly white mustache,
dome forehead.

“Your stepmother’s on the phone with her sister,” he says.

“He thinks he can look into the invisible,”
she says from above.
“He thinks he can peek into the other world,
like God’s out there waiting for him…
Meshugge!”

She starts the dishwasher.

“As above, so below,” he says.
“I’m not so sure,” I say.
“Listen, everyone’s got some stink,” he says,
grabbing my arm,
“you think you’re immune?”
I shake my head.

“To look for God is to find Him, “ he says.
“If God lived on earth,” she says, “people would knock out
all His windows.”
“Kibbitzer,” he yells back. “Gottenyu! Shiksa brain!”

Father turns to his “apparatus,”
“visual scriptures,” he calls them,
tinctures and elixirs,
the silvery dark and the silvery white.

“We of the here-and-now, pay our respects
to the invisible.
Your soul is a soul,” he says, turning to me,
“but body is a soul, too. As the poet says,
‘we are the bees of the golden hive of the invisible.’”
“What poet, Dad?”
“The poet! Goddammit, the poet,” he yells.

He’s paler these days, showing more forehead,
thinning down.

“We live in darkness and it looks like light.
Now listen to me: I’m unhooking from the world, understand?
Everything is a covering,
contains its opposite.
The demonic is rooted in the divine.
Son, you’re an Outside,” he says,
“waiting for an Inside.
but I want you to know…”
“Know what, Dad?”
“I’m gonna keep a place for you in the other world.”

Reading / Imagination


Picking up where we left off:

I couldn’t read either. Seems to me there’s a connection between IMAGINATION and the ability to engage and really enjoy reading. I think of Shakespeare and Walt Whitman and William Blake, who wrote, "To see a world in a grain of sand, / And a heaven in a wild flower, / Hold infinity in the palm of your hand, / And eternity in an hour."

He also said, "IMAGINATION is the real and eternal world of which this vegetable universe is but a faint shadow."

Dictionary: IMAGINATION: the ability to form images and ideas in the mind, especially of things never seen or never experienced directly.

So, in one sense, IMAGINATION is an ability to do something, form images and ideas in the mind. A second definition, “the part of the mind where ideas, thoughts, and images are formed,” refers to the mind itself, that “part” of the mind where, in fact, acts of IMAGINATION occur. I wonder where in the mind this happens. And why, taking an antidepressant, SSRI, short circuited my ability to dream, let alone read or write. But, in fairness, some of this loss of IMAGINATION, loss of juice, loss of vitality preceded the antidepressants.

Peter Ackroyd’s BLAKE, A BIOGRAPHY, says it best. Page 148:

“No one who reads Paracelsus [an itinerant scholar and physician born in the late 15th century] can remain unaffected by him and an artist such as Blake, slowly coming to believe in his own prophetic and spiritual mission could only have been exalted and exhilarated by the celebration of the imagination in his writings.

“'I know of no other Christianity and of no other Gospel,’ Blake later wrote, ‘than the liberty both of body & mind to exercise the Divine Arts of the Imagination.’ This is the central truth of Paracelsus, who declared that ‘Imagination is like the sun. The sun has a light which is not tangible; but which, nevertheless, may set a house on fire.’

“The great truth of the universe lies within the human imagination; it is the source, the sun, and those who understand its powers are the lords of all created things. The world of Paracelsus is filled by spirit, with the elements of mercury, salt and sulphur as its trinity of dwelling places, and in his extraordinarily successful treatment of disease he considered the body as a form or definition of the soul itself. Of course Blake need not necessarily have learnt this from Paracelsus,” says Peter Ackroyd, “he [Blake] could have found it within his own heart.”

Image of Santa Cruz / sunset thanks to Wikipedia.

Imagination


When I “lost” my mind I also lost the ability to easily form images and ideas in my mind. “Easily”? It’s never been that easy... but losing my mind meant losing the juice, losing some vital energy, losing, in some sense, the core of my being. Sounds a little pompous, I know. I can’t help it. I am writing now as a passably sane human about a time when, oh, shit! I felt something less than human. At one point my wife called me a zombie, and she was right. I knew it at the time and it didn’t take an act of imagination to know she was right. Another time she called me a “ghost in a white bathrobe,” and again she was right. It didn’t take an act of imagination to know she was right because that’s exactly what I felt. And it’s hard to hide things from her. But she stuck by me at a time when someone else might have said, “You need to be committed.”

I read aloud to her what I’ve just written and she says, “That’s extreme, honey. I knew you’d get past it [i.e., the loss of my imagination] and I’d never have committed you. There’s loss as in ‘lost and found’ and there’s 'irretrievably lost.' That’s called death,” she says.

Anyway, do you commit someone to an institution for losing their imagination? Reason enough if the person’s a writer and the imagination shuts down and the person—even in his own mind—realizes he’s, well, “in trouble.” I’m making light of it, feeling detached enough to gingerly make a joke. Four years. Another life time.

“What was it like?” she asks. She trusts I’ll come up with a description, nothing fancy, just some crude approximation. We seldom talk about “the time,” “the setback,” the “you know...” And when we do we avoid the word “depression,” preferring “melancholia,” which, for me, calls up Robert Burton’s work, The Anatomy of Melancholy, 1621 (Full title The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Maine Partitions with their several Sections, Members, and Subsections. Philosophically, Historically, Opened and Cut up). The work through five revised and expanded editions.

Sorry. I’m an ex-English teacher, now retired, and sometimes lapse into lecture mode. Anyway, what was it like: Imagine your color TV going black and white and, then, taking a turn for the worse, everything appearing fuzzy and unreal. It’s not so much that television is a wasteland, but you yourself are an extension, a hollowed out counterpart of the very horror that you are watching. You’re there, but you’re not in the picture, you’re not in your right mind, you’re not in your life. You’re a zombie staring blankly blank blank at the wasteland that is TV. Truly, a stranger in a strange land.

-
Soul retrieval becomes [in addition] the retrieval of the imagination. Retrieve one and you retrieve the other. And, the inability to sleep tied in with the inability to dream which tied in with the inability to imagine... well, there were exaggerations and misunderstandings, as in the inability to register clearly the "back story," say, or people's intentions in saying what they said. But that's very different from what we mean by the word "imagination," especially when the word is applied to a literary work, a poem, a story, a novel... a work of imagination. I frightened myself.

Monday, November 26, 2007

The Immigrant and the Beauty Queen

My parents met in 1927 and married in 1929, just in time for the Depression. My sister jokes they fell in love with one another's good looks. In photos from the 1920s Dad looks like a cross between Charlie Chaplin and Errol Flynn. Ambitious, hardworking, he longed to become a physician, but because of the Depression, he turned instead to podiatry.

In his 70s, he moved to Palm Springs, where he passed the California board exam and started a second successful practice. In his early 80s, even after heart surgery, he continued to work.

Hyman David Swerloff (1880-1929), father of my father, was an orthodox Jew, and the first Sward. In 1905, in the company of other survivors of government-sponsored pogroms, Hyman and his family journeyed from Poltava, Russia, to New York City. Immigration authorities at Ellis Island changed the Russian "Swerdloff" to the more American "Sward," as in "greensward, turf green with grass." In Sir Walter Scott's Ivanhoe, for example, the poet speaks of "A thick carpet of most delicious greensward." So it was a twenty-five-year-old Russian tailor immigrated to America to have thrust upon him a name with Old English roots dating back to A.D. 900.

An aside: My Dad's sister, my Aunt Leah, described the pogroms, the Czar and his followers on horseback charging into Poltava, beating and killing Jews for no reason. For me, the word "Liberal" has a wonderfully positive connotation because Leah would say, "and then there were Liberals, good Czars who kept the peace, who cared... no men on horseback."

Palm Springs podiatrist father, 1975 and Mom / Dad, 1928


Sunday, November 25, 2007

The World is Broken

In this series-- the poems in my father’s voice--I’m not so much writing as channeling. I hear them being spoken, then copy them onto the page and do the usual editing, the reading aloud, the looking up of words in a dictionary. While some have what my friend Peter Klappert calls “the musical attributes of lineated poetry,” they appear on the page as prose paragraphs. It’s just the form they take. Whatever the form, may you, dear reader, hear in them the rhythm of conversation.

--

THE WORLD IS BROKEN

Podiatrist Father:

“What? What do you think I am? I’m alive, I’m dead. Same as everyone else. And you? You're the one who's deadened. You got a wife, she wants a divorce. You got another wife. She wants a divorce. Now *Eudaimonia is gone. And you, you want a divorce from—who? Yourself? So. One side of the self is at war with the other? The question is: Which side is which? So divorce yourself and see what happens. You think the world is broken? Of course it’s broken. Enough! Enough! Thoughts have souls. Souls have souls. Everything’s a covering. And you, with that mug of yours, what are you covering? Tell me, What is a human being? What makes a person a person?

“Yes, you’re broken. And yes, you’re only visiting your life. So, fine, fine. Why not live then as if you were still among the living? Don’t start eternity being depressed.”


[reprinted from Ambit #190, The "Dr. Sward's Cure series," Fall, 2007]

* Eudaimonia, virtue, conscience. Eu, it means ‘happy.’ Daimon, ‘spirit.’ Eudaimonia you need, order you need to be happy!

Dr. Drug Rep


Oh, and by the way...

Dr. Drug Rep
By DANIEL CARLAT
During a year of being paid to give talks to doctors about
an antidepressant, a psychiatrist comes to terms with the
fact that taking pharmaceutical money can cloud your
judgment.

http://www.nytimes.com/2007/11/25/magazine/25memoir-t.html?th&emc=th

Yep, drug rep pens now a popular item on eBay!