Showing posts with label Writers Almanac. Show all posts
Showing posts with label Writers Almanac. Show all posts

Friday, January 11, 2008

Consciousness, Garrison Keillor, Writers Almanac


I know, it's right there... Garrison Keillor's Writers Almanac, an archive of his radio show. Consciousness... well, this, on William James' birthday, January 11... what is a blog? It's a journal, an archive, a record of where you've been and what you've thought and what led you there, here, there, the track(s). Enough that it be for yourself. Someone else cares to look in? Fine. Anyway, here's a snippet of what I want to save:


It's the birthday of the psychologist and philosopher William James, born in New York City (1842). He was the older brother of the novelist Henry James, and one of the most prominent thinkers of his era. He was a man who started out studying medicine and went on to become one of the founders of modern psychology, and finished his life as a prominent philosopher. He was a professor of physiology at Harvard when he was hired to write a textbook about the new field of psychology, which was challenging the idea that the body and the mind were separate. He could have just written a summary of all the current ideas in the field but instead decided to explore the issues of psychology he found most interesting and perplexing. He took twelve years to finish the book called, The Principles of Psychology (1890). It was used as a textbook in college classrooms, but was also translated into a dozen different languages, and people read it all over the world.

One of the ideas he developed in the book was a theory of the human mind which he called "a stream of consciousness." Before him the common view was that a person's thoughts have a clear beginning and end, and that the thinker is in control of his or her thoughts. But William James wrote, "Consciousness ... does not appear to itself chopped up in bits. Such words as 'chain' or 'train' do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows."

James's ideas about consciousness were especially influential on writers, and novelists from James Joyce to William Faulkner began to portray streams of consciousness through language, letting characters think at length and at random on the page. Consciousness itself became one of the most important subjects of modern literature.
He also helped invent the technique of automatic writing, in which a person writes as quickly as possible whatever comes into one's head. He encouraged audiences to take up the practice as a form of self-analysis, and one person who took his advice was a student named Gertrude Stein, who went on to use it as the basis for her writing style.

William James wrote, "The stream of thought flows on; but most of its segments fall into the bottomless abyss of oblivion. Of some, no memory survives the instant of their passage. Of others, it is confined to a few moments, hours or days. Others, again, leave vestiges which are indestructible, and by means of which they may be recalled as long as life endures."
He also wrote, "Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing."

more...

William James (January 11, 1842 – August 26, 1910) was a pioneering American psychologist and philosopher. He wrote influential books on the young science of psychology, educational psychology, psychology of religious experience and mysticism, and the philosophy of pragmatism. He was the brother of novelist Henry James and of diarist Alice James.

William James was born at the Astor House in New York City, son of Henry James Sr., an independently wealthy and notoriously eccentric Swedenborgian theologian well acquainted with the literary and intellectual elites of his day. The intellectual brilliance of the James family milieu and the remarkable epistolary talents of several of its members have made them a subject of continuing interest to historians, biographers, and critics.

James interacted with a wide array of writers and scholars throughout his life, including his godfather Ralph Waldo Emerson, Horace Greeley, William Cullen Bryant, Oliver Wendell Holmes, Jr., Charles Peirce, Josiah Royce, George Santayana, Ernst Mach, John Dewey, W. E. B. Du Bois, Helen Keller, Mark Twain, Horatio Alger, Jr., James George Frazer, Henri Bergson, H. G. Wells, G. K. Chesterton, Sigmund Freud, Gertrude Stein, and Carl Jung.


[Wikipedia]

Thursday, December 6, 2007

Getting Published 2

Getting Published 2 - The New Math of Poetry, courtesy my friend, poet and publisher David Alpaugh, whose essays on The Professionalization of Poetry appeared in Poets & Writers.
[Note: David's New Math article is still being researched and does not factor in the many hundreds of "Single Poem" contests.]

1) A cursory investigation on the Internet turns up 158 full collection poetry book contests and 172 poetry chapbook contests. That's 330 contests a year--and though just an approximate figure, it's a conservative one.

2) If the figure holds at the current level there will be 3,300 poetry book contest prize awards each decade--33,000 by the end of this century.

3) Everything leads me to believe that the figure will not hold--that the current trend and history of exponential growth will continue and that the figure will double, triple, quadruple, perhaps even ten-tuple as technology proceeds.

4) We could easily be looking at over 100,000 poetry book awards by the end of the century! Each book chosen from hundreds, in some cases thousands, of entries by "distinguished" poet/judges--and published by supposedly selective, credible presses, trying earnestly to bring the best poetry available to the reading public.

5) How could a 22nd century English professor be confident that he had a handle on the best 21st century without carefully reading these 33, 000 to 100,000 "prize-winning" books? And how about the tens of thousands of books that didn't win prizes? How about the tens of thousands of self-published ones? Shakespeare self-published his Sonnets. Blake self-published Songs of Innocence and Experience. Whitman Leaves of Grass. Would scholars have to specialize, say, in the first three days of June, 2042, to make certain that they weren't missing a "great" poet?

6) As for individual poems, we have two popular internet zines that publish a daily poem: Poetry Daily and Verse Daily. And we have Garrison Keillor reading at least one poem daily on The Writer's Almanac. There is little duplication, if any, between these three daily reads. 365 x 3 gives me 1095 poems a year. Let's round it off to 1000. That's ten thousand poems per decade and 100,000 by the end of the century (assuming that someone picks up the ball for Garrison when he leaves us for that great anthology in the sky).

7) Poetry Daily, Verse Daily, Writer's Almanac are all highly "selective." They are choosing poems from respected publishers, and literary journals. Each of those collections, journals, anthologies is full of poems presumably just as good that don't make it onto the net or radio. Assuming that the publications they draw from average 60 pages of poetry each and we have 6 MILLION poems to add to our 21st Century "new math" total! Of course that figure is high because although the 3 entities almost never duplicate poems they do draw on many of the same publications, presses, journals, etc. So let's be conservative and cut it in half. (But, remember, there are at least as many fine anthologies, journals, and collections that never get the nod from VD, PD, or GK and would need to be added in).

8) And keep in mind that so far we have only talked about hard-copy publications! For Poetry Daily and Verse Daily only select from print, never from the internet where hundreds of journals are now up and running with more coming on line almost every day!

9) Certainly it is conservative to estimate the number of poems to be published during the 21st century as exceeding 10 million. It will probably be many times that!